By Ajmal Kamal
Suppression of dissent and criticism has always been an active force in Pakistani society. Journalists and creative writers have had to struggle hard to find their way around or across many laws threatening to punish any deviation from the official line on most vital issues. The authorities’ initiative to impose censorship through legislative means dates back to the Public Safety Act Ordinance imposed in October 1948, and later, in 1952, ratified by the first Constituent Assembly of Pakistan as the Safety Act.Apart from numberless political workers, newspapers, and periodicals, the leading literary journals too fell victim to this oppressive piece of legislation which was only the first in a long series of such laws. In fact, Savera (Lahore) has the dubious honor of being the first periodical of any kind to be banned, in 1948, under this very Public Safety Act Ordinance.
This legal device was also invoked to suspend two other Lahore-based literary periodicals—Nuqoosh and Adab-e Latif—for six months and to incarcerate the editor of Savera, Zaheer Kashmiri, in 1950, without even a trial. (See Zamir Niazi, The Press in Chains, Karachi: Karachi Press Club, 1986, pp. 38 and 50.)
The infamous Safety Act had well-known literary people on both sides. On the one hand, literary critics such as Muhammad Hasan Askari found the law perfectly justifiable—indeed, they even praised it. (For details, see Muvammad Hasan Askari, Takhliqi Amal aur Usloob, collected by Muhammad Suheyl Umar, Karachi: Nafis Academy, 1989, pp. 95–116. This is a collection of Askari’s monthly columns which appeared in the literary periodical Saqi–published from Delhi until June 1947, and subsequently from Karachi–under the general title of “Jhalkiyan”.) On the other hand, there were writers and editors who were prosecuted under this law, Saadat Hasan Manto perhaps being the most prominent among them. (For details of Manto’s trials, see his Lazzat-e Sang, Lahore: Naya Idara, 1956.) Manto’s writing had had a history of attracting the wrath of the authorities for its downright honest and realistic portrayal of life and its stinging moral and political comment. He had been prosecuted under the British colonial government for publishing the short stories “Dhuvan” and “Kali Shalvar.” Individuals such as Chaudhry Muhammad Husain of the Press Branch, Government of Punjab—immortalized by Manto in the dedications of two successive editions of his collection Lazzat-e Sang—were always eager to assist the authorities in this respect. Having decided on intolerance of any moral or political comment almost from the moment the new state came into being, the Pakistani authorities have since kept it alive and have never felt the need to relax it. Consequently, there has been a long series of unjust laws and practices intended to suppress freedom of thought and expression, irredeemably crippling any tradition of dissent in the society. Especially regrettable is the fact that people like Chaudhry Muvammad Husain and Muhammad Hasan Askari have always come forward to lend a helping hand to the authorities by providing legal and ideological support in stilling any expression of dissent.
The socially and intellectually stifling environment which obtained early in the life of the newly-created state coincided with another factor: Pakistan’s political dependence on the United States, itself experiencing the worst kind of repression under McCarthyism. During the Cold War years, Pakistan openly sided against the Soviet Union and thus, ostensibly to counter the threat from the north, found a convenient excuse to muzzle political and social criticism of any kind. Over the long haul, this intolerance has irrevocably injured the social and moral fabric of Pakistani society in a number of ways.
A particularly harmful expression of this intolerant and myopic policy has been felt in the field of education, more specifically in the preparation and dispensation of textbooks for Pakistani students. Once every voice capable of offering an alternative view had been effectively silenced, the field was left wide open for the imposition on students—without any threat of challenge from any quarter—of an anemic and distorted viewpoint through officially produced textbooks. Thus, according to Dr. K.K. Aziz, a noted Pakistani historian:
“Since the early 1960s, the planning, preparation and publication of all textbooks for classes 1–12 are the responsibility of the Textbook Boards, of which there is one in each province. These bodies are created and controlled by the provincial Department of Education, and their personnel is recruited from the provincial education service. Their textbooks are generally written by a team of authors, then corrected and supervised by another person or group of persons, and finally edited by another individual. Then the manuscript is submitted to the National Review Committee of the Ministry of Education of the Government of Pakistan, which checks its accuracy and approves of its ‘ideological’ content. When the book has been published, it is prescribed by the Provincial Government as the ‘sole textbook’ for the relevant class in all the schools of the province.” (K.K. Aziz, The Murder of History in Pakistan, Lahore: Vanguard Books
(Pvt.) Limited, 1993, p.1.)
In his commendable work, aptly named The Murder of History in Pakistan, Dr. Aziz has painstakingly carried out a detailed analysis of the revolting mixture of half-truths, distorted facts, harrowing omissions, blatant lies, and ugly governmental propaganda dished out as “history” to scores of unsuspecting students. One notes, with some sadness but little surprise, that the same unethical principles govern the preparation of textbooks meant to be used for the instruction of students in, for instance, Urdu. It would have been interesting to analyze the many successive revisions—inclusions and deletions—made in Urdu textbooks in the course of the past several decades, but no one has, as yet, risen to the task of replicating Dr. Aziz’s minute scrutiny and close content analyses. Once in a while, though, the Textbook Boards do drop in a hint sufficient to give an idea of what actually goes on in preparing the Urdu textbooks.
Why these occasional revisions? What could be their underlying reasons? Monetary, one suspects: to provide the Board’s favorites the opportunity to make some extra cash as compilers, editors, publishers, and printers.
But the reasons need not be so mundane. In an ideological state such as Pakistan, the revision of history to further the aims of those who happen to be in power at a given time should surprise no one. The rewriting of texts is not limited to the technically non-existent subject of “history” alone. It frequently spills over into other fields as well—for instance, literature. Needless to say, the respectable compilers and editors, contracted by the Board for the purpose, tacitly know what is expected of them, their submissive and unquestioning cooperation matched only by officials working for government departments such as the Press Branch, the Press Information Department, etc. Let me illustrate my point with an example: the Urdu textbooks for eleventh and twelfth classes, issued under the auspices of the Sindh Textbook Board, have recently seen new incarnations as Gulzar-e Urdu, Part I and Part II, respectively.
(Gulzar-e Urdu, Part I, 2nd ed., Jamshoro: Sindh Textbook Board, November 1993. The anthology is compiled by: Dr. Aslam Farrukhµ, Dr. Abdul Haq Hasrat Kasganjvi, Shahid Ishqi, Saiyid Sajid Husain Rizvi, Saqi Javaid, and Muhammad Nazim Ali Khan Matlavi; it is edited by Dr. Abdul Haq Hasrat Kasganjvi and Muvammad Nazim Ali Khan Matlavi; and it was approved by the Federal Ministry of Education (Syllabus Department), Government of Pakistan, Islamabad, as the “sole” (vahid) textbook for higher-secondary colleges in the Province of Sindh. Gulzar-e Urdu, Part II, 1st ed., Jamshoro: Sindh Textbook Board, July 1994. The anthology is compiled by: Dr. Abdus Salam, Dr. Abdul Haq Hasrat Kasganjvi, Shahid Ishqi, Khalid Vahab, and Muhammad Nazim Ali Khan Matlavi; it is edited by Dr. Abdul Haq Hasrat Kasganjvi and Muvammad Nazim Ali Khan Matlavi; and it was approved by the Federal Ministry of Education (Syllabus Department), Government of Pakistan, Islamabad, as the “sole” (vahid) textbook for higher-secondary colleges in the Province of Sindh.)
I would like to give three significant examples of this process of officially sanctioned revisionism—two examples that appear in Part I of the Gulzar, and one more, in some detail, from Part II. My aim is to show that literary texts are unhesitatingly censored, without any kind of indication or explanation, to make them conform to the official outlook.
In Part I, Premchand, who was included in the textbook for Class XI before it was revised, has been dropped altogether. Given his pioneering contribution to the development of modern Urdu fiction, one can think of no reason for Premchand’s exclusion except that he was a non-Muslim. This exclusion may be regarded as analogous to attempts made by several literary historians and critics who, ashamed or unable to accept a Hindu as the first short story writer of Urdu, have replaced him with a writer of more acceptable beliefs, if not of comparable merit. Lacking both the means and the intention to defend Premchand against these learned efforts, I would nevertheless point to his more secure status as the first Urdu fiction writer of any consequence. The other victim of the revisionist hatchet in Part I is Khvaja Hasan Niizmi. In his case, certain key words and phrases have been unwarrantedly removed from his piece “Thhele-wala Shahzada.” Obviously, it was unwise on the part of the Khvaja to have used such words and phrases as “sharab” (wine), “makhmoor” (drunk), “tava’if” (prostitute), and “‘ayyash panjabi saudagar” (hedonistic Punjabi businessman) in his story which was one day destined to be used for teaching Urdu in an Islami Mamlikat. The compilers and editors of the revised textbook, who apparently attach more respect to the integrity of official dogma than to the integrity of a literary text, have expelled these words and phrases even at the expense of comprehensibility of the story line. The original sentence
اُس موٹر میں ایک پنجابی سوداگر، جوانی اور شراب کے نشے میں مخمور، کسی بازاری عورت کو لیے بیٹھا تھا۔
उस मोटर में एक पंजाबी सौदागर, जवानी और शराब के नशे में मखमूर, किसी बाजारी औरत को लिए बैठा था.
has been changed to read:
اُس موٹر میں ایک سوداگر اور عورت بیٹھے تھے۔
उस मोटर में एक सौदागर और औरत बैठे थे.
In the next paragraph, the adjective “makhmoor” has been censored before the word “naujavan,” and the words “sharabi ayyash” have been replaced by “naujavan.” Further on, the phrase “motor-nasheen tava’if” has been Islamized as ‘‘motor-nasheen aurat.” (For the original text of Khvaja Hasan Nizami’s story “Thhele-wala Shahzada,” see Begamat ke Aansu, Lahore: Khvajagan Publications, 1988, pp. 142–51.) As would be expected, no indication of this editing has been provided anywhere in the book.
The case of Gulzar-e Urdu, Part II, is even more intriguing. One is surprised to find that the Board has, suddenly and for no fathomable reason, decided to posthumously honor Saadat Hasan Manto, the enfant terrible of Urdu fiction, by including one of his stories in the textbook for Class XII. What is less surprising, however, is the fact that both the Board and the team of compilers and editors faithfully serving it have not lost sight of the ideological principles guiding the preparation of course materials for students. It would appear that on including one of Manto’s (and Urdu fiction’s) masterpieces, “Naya Qanoon ” (The New Constitution), they have subjected it to a careful reading, using their censor’s blue pencil to neutralize what they probably considered the fictional text’s potentially corrupting influence on the innocent minds of second-year college students.
Some insight into the kinds of considerations uppermost in the minds of the textbook censors may perhaps be gained by looking at the passages expunged from the story of the hapless Mangu kochvan (the tongacarriage driver)—passages thought unfit for impressionable college students. I quote below the relevant passages from Khalid Hasan’s translation of the story, with deleted portions appearing in italics, followed by brief comments pointing to possible reasons for each deletion. (For the English translation, see Saadat Hasan Manto, “The New Constitution,” in his Kingdom’s End and Other Stories,” tr. by Khalid Hasan, London and New York: Verso, 1987, pp. 83–92; for the original in Urdu, see “Naya Qanoon,” in his Mantorama, Lahore: Sang-e Meel Publications, 1990, pp. 707–19.)
One day he [Mangu] overheard a couple of his fares discussing yet another outbreak of communal violence between Hindus and Muslims.
That evening when he returned to the adda, he looked perturbed. He sat down with his friends, took a long drag on the hookah, removed his khaki turban and said in a worried voice: “It is no doubt the result of a holy man’s curse that Hindus and Muslims keep slashing each other up every other day. I have heard it said by one of my elders that Akbar Badshah once showed disrespect to a saint, who cursed him in these words: ‘Get out of my sight! And, yes, your Hindustan will always be plagued by riots and disorder.’ And you can see for yourselves. Ever since the end of Akbar’s raj, what else has India known but riots!” (p. 83)
اُس روز شام کے قریب جب وہ اڈے میں آیا تو اس کا چہرہ غیرمعمولی طور پر تمتمایا ہوا تھا۔ حقے کا دور چلتے چلتے جب ہندومسلم فساد کی بات چھڑی تو استاد منگو نے سر پر سے خاکی پگڑی اتاری اور بغل میں داب کر بڑے مفکرانہ لہجے میں کہا: ’’یہ کسی پیر کی بددعا کا نتیجہ ہے کہ آئے دن ہندوؤں اور مسلمانوں میں چاقوچھریاں چلتی رہتی ہیں۔ اور میں نے اپنے بڑوں سے سنا ہے کہ اکبر بادشاہ نے کسی درویش کا دل دکھایا تھا اور اس درویش نے جل کر یہ بددعا دی تھی: جا، تیرے ہندوستان میں ہمیشہ فساد ہی ہوتے رہیں گے۔ اور دیکھ لو، جب سے اکبر بادشاہ کا راج ختم ہوا ہے، ہندوستان میں فساد ہوتے رہتے ہیں۔‘‘
The entire second paragraph has been deleted. This is in line with the official policy to present the Hindu-Muslim riots in the erstwhile united India as a one-way affair and the Muslims as innocent victims and never as equal, or equally enthusiastic, partners in the game of riots.
He took a deep breath, drew on his hookah reflectively and said:
“These Congressites want to get India its freedom. Well, you take my word, they will get nowhere even if they try for a thousand years. At the most, the Angrez will leave, but then you will get maybe the Italywala or the Russian. I have heard that the Russiawala is tough. Hindustan, I can assure you, will always remain enslaved. Yes, I forgot to tell you that part of the saint’s curse on Akbar was that India will always be ruled by foreigners.” (pp. 83–84)
یہ کہہ کر اس نے ٹھنڈی سانس بھری اور پھر حقے کا دم لگا کر اپنی بات شروع کی: ’’یہ کانگریسی ہندوستان کو آزاد کرانا چاہتے ہیں۔ میں کہتا ہوں، اگر یہ لوگ ہزار سال بھی سر پٹکتے رہیں تو کچھ نہ ہوگا۔ بڑی سے بڑی بات یہ ہوگی کہ انگریز چلا جائے گا اور کوئی اٹلی والا آ جائے گا، یا وہ روس والا جس کی بابت میں نے سنا ہے کہ بہت تگڑا آدمی ہے۔ لیکن ہندوستان سدا غلام رہے گا۔ ہاں، میں یہ کہنا بھول ہی گیا کہ پیر نے یہ بددعا بھی دی تھی کہ ہندوستان پر ہمیشہ باہر کے آدمی راج کرتے رہیں گے۔‘‘
This whole paragraph too is not to be found in the Gulzar version. The reason seems simple enough. Laughable as it may sound, the official history in Pakistan never credits the Indian National Congress with wanting—let alone struggling for—India’s freedom. The fact that India was ruled by foreigners might also have encouraged dangerous thinking in the minds of the students—who knows!
He then went into a detailed description of the changes the new constitution was going to bring to India. “You just wait and see. Things are going to happen. You have my word, this Russian king is bound to show them his paces.”
Ustad Mangu had heard many stories about the Communist system over the years. There were many things he liked about it, such as their new laws and even newer ideas. That was why he’d decided to link the king of Russia with the India Act. He was convinced that the changes being brought in on 1 April were a direct result of the influence of the Russian king. (p.86.)
دورانِ گفتگو میں اس نے کئی مرتبہ نتھو گنجے کے ہاتھ پر زور سے اپنا ہاتھ مار کر کہا، ’’تو دیکھتا رہ، کیا بنتا ہے۔ یہ روس والا بادشاہ کچھ نہ کچھ ضرور کر کے رہے گا۔‘‘
استاد منگو موجودہ سوویٹ نظام کی اشتراکی سرگرمیوں کے متعلق بہت کچھ سن چکا تھا اور اسے وہاں کے نئے قانون اور دوسری نئی چیزیں بہت پسند تھیں۔ اسی لیے اس نے ’’روس والے بادشاہ‘‘ کو ’’انڈیا ایکٹ‘‘ یعنی جدید آئین کے ساتھ ملا دیا اور پہلی اپریل کو پرانے نظام میں جو تبدیلیاں ہونے والی تھیں، وہ انھیں روس والے بادشاہ کے اثر کا نتیجہ سمجھتا تھا۔
Not much insight is needed to figure out why this paragraph was considered unsuitable for students. Throughout the Cold War, the Communist Party had been banned and severely suppressed in Pakistan. The mere mention of its name was considered taboo by the authorities. The official attitude appears to have survived the disintegration of the Soviet Union.
For some years, the Red Shirt movement in Peshawar had been much in the news. To Ustad Mangu, this movement had something to do with “the king of Russia” and, naturally, with the new Government of India Act. There were also frequent reports of bomb blasts in various Indian cities. Whenever Ustad Mangu heard that so many had been caught for possessing explosives or so many were going to be tried by the government on treason charges, he interpreted it all as a curtain-raiser for the new constitution. (pp.86–87.)
کچھ عرصے سے پشاور اور دیگر شہروں میں سرخ پوشوں کی تحریک جاری تھی۔ استاد منگو نے اس تحریک کو اپنے دماغ میں روس والے بادشاہ اور پھر نئے قانون کے ساتھ خلط ملط کر دیا۔ اس کے علاوہ جب وہ کسی سے سنتا کہ فلاں شہر میں اتنے بم ساز پکڑے گئے ہیں یا فلاں جگہ اتنے آدمیوں پر بغاوت کے الزام میں مقدمہ چلایا گیا ہے تو ان تمام واقعات کو نئے قانون کا پیش خیمہ سمجھتا اور دل ہی دل میں بہت خوش ہوتا تھا۔
The reference to the Red Shirt movement, led by Abdul Ghaffar Khan of the North West Frontier Province (NWFP), points to the political atmosphere of the province during the 1940s. As a result of this political atmosphere, the All India Muslim League failed to win a majority in NWFP’s 1946 provincial elections or to have NWFP support the demand for Pakistan. Nevertheless, NWFP was made a part of Pakistan, the elected provincial government was dismissed, and a referendum was held, the credentials of which remain doubtful to many. The Red Shirt movement was banned and its workers were severely persecuted. No mention is made of the existence of any such movement in the official history of Pakistan. Manto has pointed to these later events in a few other places in his stories and essays.
Ustad Mangu was one of those people who cannot stand the suspense of waiting. When he was going to get his first child, he had been unable to sit still. He wanted to see the child even before it was born. Many times, he had put his ear over his wife’s pregnant belly in an attempt to find out when the child was coming or what was he like, but of course he had found nothing. One day he had shouted at his wife in exasperation.
“What’s the matter with you? All day long you’re in bed like you were dead. Why don’t you get yourself out, walk around, gain some strength to help the child be born? He won’t come this way. I can tell you.”
Ustad Mangu was always in a hurry. He just couldn’t wait for things to take shape. He wanted everything to happen immediately. Once his wife Gangadai had said to him: “You haven’t even begun digging the well and already you are impatient to have a drink of water.” (p. 89)
جب استاد منگو کے گھر میں بچہ پیدا ہونے والا تھا تو اس نے چار پانچ مہینے بڑی بےقراری میں گزارے تھے۔ اس کو یقین تھا کہ بچہ کسی نہ کسی دن ضرور پیدا ہو گا، مگر وہ انتظار کی گھڑیاں نہیں کاٹ سکتا تھا۔ وہ چاہتا تھا کہ اپنے بچے کو صرف ایک نظر دیکھ لے، اس کے بعد وہ پیدا ہوتا رہے۔ چنانچہ اسے غیرمغلوب خواہش کے زیراثر اس نے کئی بار اپنی بیمار بیوی کے پیٹ کو دبادبا کر اور اس کے اوپر کان رکھ رکھ کر اپنے بچے کے متعلق کچھ جاننا چاہا تھا مگر ناکام رہا تھا۔ ایک مرتبہ وہ انتظار کرتے کرتے اس قدر تنگ آ گیا تھا کہ اپنی بیوی پر برس بھی پڑا تھا۔
’’تو ہر وقت مُردے کی طرح پڑی رہتی ہے۔ اٹھ، ذرا چل پھر، تیرے انگ میں تھوڑی سی طاقت تو آئے۔ یوں تختہ بنے رہنے سے کچھ نہ ہوسکے گا۔ تو سمجھتی ہے کہ اس طرح لیٹے لیٹے بچہ جن دے گی؟‘‘
استاد منگو طبعاً بہت جلدباز واقع ہوا تھا۔ وہ ہر سبب کی عملی تشکیل دیکھنے کا نہ صرف خواہشمند تھا بلکہ متجسس تھا۔ اس کی بیوی گنگادئی اس کی اس قسم کی بےقراریوں کو دیکھ کر عام طور پر یہ کہا کرتی تھی: ’’ابھی کنواں کھودا نہیں گیا اور تم پیاس سے بےحال ہو رہے ہو۔‘‘
These three entire paragraphs have been cut out. Part of the reason may well be that students in Pakistani colleges are not supposed to learn that babies are made in women’s bellies. But there is another point which might well have been considered offensive: Mangu’s wife’s name, Gangadai, is an obviously Hindu name—unlike Mangu’s, which can equally well apply to a Muslim or a Hindu.
This morning he was not as impatient as he normally should have been. He had come out early to view the new constitution with his own eyes, the same way he used to wait for hours to catch a glimpse of Gandhi and Pandit Jawaharlal Nehru.
Great leaders, in Ustad Mangu’s view, were those who were profusely garlanded when taken out in procession. And if there were a few scuffles with the police during the proceedings, the man went up even further in Ustad’s estimation. He wanted to see the new constitution brought out with the same razzle-dazzle. (Ibid.)
کچھ بھی ہو مگر استاد منگو نئے قانون کے انتظار میں اتنا بےقرار نہیں تھا جتنا کہ اسے اپنی طبیعت کے لحاظ سے ہونا چاہیے تھا۔ وہ آج نئے قانون کو دیکھنے کے لیے گھر سے نکلا تھا، ٹھیک اُسی طرح جیسے وہ گاندھی یا جواہرلال کے جلوس کا نظارہ کرنے کے لیے نکلتا تھا۔
لیڈروں کی عظمت کا اندازہ استاد منگو ہمیشہ ان کے جلوس کے ہنگاموں اور ان کے گلے میں ڈالے ہوے پھولوں کے ہاروں سے کیا کرتا تھا۔ اگر کوئی لیڈر گیندے کے پھولوں سے لدا ہو تو استاد منگو کے نزدیک وہ بڑا آدمی تھا، اور اگر کسی لیڈر کے جلوس میں بھیڑ کے باعث دو تین فساد ہوتے ہوتے رہ جائیں تو اس کی نگاہوں میں وہ اور بھی بڑا تھا۔ اب نئے قانون کو وہ اپنے ذہن کے اسی ترازو میں تولنا چاہتا تھا۔
Here, again, both paragraphs have been subjected to the chopping block. And understandably. The names of the Congress leaders, such as Gandhi and Nehru, are anathema to most Pakistanis and are not mentioned in Pakistani textbooks except in an openly derogatory or grossly inaccurate manner.
Ustad Mangu was trying to work out if the present system of allotting tonga number plates would change with the new dispensations, when he saw a gora soldier standing next to a lamp post. […]
“Where do you want to go?” Ustad Mangu asked, not unforgetful [sic] of the fact that there was a new constitution in force in India now.
“Hira Mandi, […]” the gora answered. (pp. 90-91)
وہ نئے قانون کی موجودگی میں میونسپل کمیٹی سے تانگوں کے نمبر ملنے کے نئے طریقوں پر غور کر رہا تھا اور اس قابل غور بات کو آئینِ جدید کی روشنی میں دیکھنے کی سعی کر رہا تھا۔ وہ اسی سوچ بچار میں غرق تھا۔ اسے یوں معلوم ہوا جیسے کسی سواری نے اُسے بلایا ہے۔ پیچھے پلٹ کر دیکھنے سے اُسے سڑک کے اُس طرف، دور، بجلی کے کھمبے کے پاس، ایک گورا کھڑا نظر آیا جو اسے ہاتھ ہلا رہا تھا۔
خالی سڑک پر بڑی صفائی سے تانگا موڑ کر اس نے گھوڑے کو چابک دکھایا اور آنکھ جھپکتے میں وہ بجلی کے کھمبے کے پاس تھا۔ گھوڑے کی باگیں کھینچ کر اس نے تانگا ٹھہرایا اور پچھلی نشست پر بیٹھے بیٹھے گورے سے پوچھا:
’’صاحب بہادر کہاں جانا مانگٹا ہے؟‘‘
استاد منگو نے پچھلے برس کی لڑائی اور پہلی اپریل کے نئے قانون پر غور کرتے ہوے، گورے سے کہا، ’’کہاں جانا مانگٹا ہے؟‘‘
گورے نے جواب دیا، ’’ہیرامنڈی۔‘‘
This, perhaps, is the most masterful stroke of the blue pencil. By striking out the word “hira” from “Hira Mandi” (literally, “diamond market”), the name of the famous red-light district of Lahore, the textbook censors have managed to remove the sting. Having been metamorphosed to “mandi,” it may well be the fruit or grain market that the poor gora soldier was trying to reach.
The above exercise points to a clear and simple conclusion: to be accepted for inclusion as or in a textbook, a literary text must be made ideologically and politically acceptable, regardless of the injury this may do to its intent and artistic value. The teachers commissioned to prepare or revise textbooks for the Board, themselves harboring literary pretensions in some cases, are not in the least doubtful about the political preferences of the state. That they voluntarily lend their services for this purpose, even at the cost of mutilating literary texts, is clear from the fact that, as personnel of the Education Department, they are not obligated to participate in the preparation of textbooks. But they do—willingly. Indeed, they spend a lot of time and effort in obtaining these coveted assignments—assignments that entail some extra income, too. The example of the treatment afforded to Premchand, Khvaja Hasan Nizami, and Manto raises serious questions about the moral and intellectual integrity of the officials—especially teachers—serving the State of Pakistan. More regrettably still, it leaves no room for any optimism about the future. A generation fed on deficient knowledge and false or skewed or distorted or truncated views of history is unlikely one day to manage the affairs of the country with any forthrightness, pride, or honesty.
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